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Keith Kovanda - Who Can I Turn To download mp3 album

Keith Kovanda - Who Can I Turn To download mp3 album
Performer:
Keith Kovanda
Album:
Who Can I Turn To
Released:
1968
FLAC vers. size:
1593 mb
MP3 vers. size:
1532 mb
WMA vers. size:
1615 mb
Other formats
AIFF RA APE VOC AHX DTS AA
Rating:
4.5 ★
Votes:
403

Who Can I Turn To?" (alternatively titled "Who Can I Turn To (When Nobody Needs Me)") is a song written by English lyricists Leslie Bricusse and Anthony Newley and first published in 1964. The song was introduced in the musical The Roar of the Greasepaint – The Smell of the Crowd, which struggled in the United Kingdom in 1964 and then made a tour of the United States later that year. In 1964 Shirley Bassey recorded the song and released it as a single, however it failed to chart.

Who Can I Turn To (оригинал Leona Lewis feat. К кому я могу обратиться (перевод Mickushka). With you I could learn to. С тобой я могу постичь, With you on a new day. С тобой, каждый новый день, But who can I turn to. Но к кому мне обратиться, If you turn away. Если ты отворачиваешься от меня.

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Bland's craft was most clearly heard on a series of early 1960s releases, including "Cry Cry Cry", "I Pity the Fool" (number 1 on the R&B chart in 1961) and "Turn On Your Love Light", all included on the 1961 album "Two Steps From The Blues". Bobby Bland developed a sound that mixed gospel with the blues and R&B.

Shortly after Keith’s recruitment, the Who became managed by Kit Lambert and Chris Stamp whose energy and ambition focused the group and set them on the road to stardom. Moon announced his arrival in spectacular fashion on The Who’s first real single ‘I Can’t Explain’ (1965) on which his rifle-shot snare pre-empted Roger Daltrey’s leap into the chorus. Moon’s drumming is outstanding throughout the group’s début album My Generation and on several Sixties singles, most notably ‘Happy Jack’ (1966) and ‘I Can See For Miles’ (1967), but it is on the double album Tommy (1969) that his talents are best utilised. On Townshend’s celebrated rock opera he becomes an orchestra within himself, driving the band along with an intelligence and sureness of touch that defies analysis.

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Tracklist

A Who Can I Turn To
B Cecilia

Notes

"The Singing Attorney"