The Cowboy Bebop anime series was accompanied by a number of soundtrack albums composed by Yoko Kanno and Seatbelts, a diverse band Kanno formed to create the music for the series, with a principal focus in jazz. The recordings were an international effort with many notable names attached, including that of recording engineer Rudy Van Gelder. The soundtrack was released in the American market by Victor Entertainment, a subsidiary of JVC Kenwood.
Along with Nujabes, Yoko Kanno is definitely my source of inspiration when it comes to music making. I hope you'll enjoy this release as much as I had fun making it. Thanks to everyone who continues to support what I do. Bebop will be also my last release in Morocco. Includes high-quality download in MP3, FLAC and more. Paying supporters also get unlimited streaming via the free Bandcamp app. Purchasable with gift card.
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Hipsters were more interested in bebop and "hot" jazz than they were in swing, which by the late 1940s was becoming old-fashioned and watered down by "squares" like Lawrence Welk, Guy Lombardo and Robert Coates. In the 1940s, white youth began to frequent African-American communities for their music and dance. The hipster world that Kerouac and Ginsberg drifted in and out of from the mid-1940s to the early-1950s was an amorphous movement without ideology, more a pose than an attitude; a way of "being" without attempting to explain why. Hipsters themselves were not about to supply explanations. Their rejection of the commonplace was so complete that they could barely acknowledge reality.
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